Monday, December 29, 2014

Review: Let the Devil Speak by Steven Hart

Let the Devil Speak: Articles, Essays, and IncitementsLet the Devil Speak: Articles, Essays, and Incitements by Steven Hart
My rating: 5 of 5 stars

Smart, witty, acerbic essays about American culture, literature, and music. The book's real tour de force is the first  chapter, "He May Be a Fool, But He's Our Fool", which proceeds from a curious juxtaposition between two cultural events: racist Georgia Governor Lester Maddox' contentious appearance on the "Dick Cavett Show" and Randy Newman's seminal 1974 album "Good Old Boys." Newman had often said that the Maddox appearance, where Newman felt the Governor was treated unfairly, was the inspiration for the album's opening track "Rednecks." Steven Hart uses that connection to trace not only the divergent careers of Newman and Maddox, but the thread of bitter, corrosive resentment, inevitably tinged with racism, which runs through right wing politics to this day.

My favorite passage is the one about Pat Buchanan's "culture war" speech at the 1992 Republican convention. Hart writes: "the imperturbably sunny face of the Reagan Presidency had been replaced by a frothing troglodyte with an anti-tax pledge in one paw and a picture of a bloody fetus in the other." That passage perfectly sums up the moment when I got off the moderate fence I'd been sitting on during the first George H.W. Bush term and threw in with the liberals.

It's not all politics, however: "The Ents From The Orcs" provides a fascinating glimpse of another particular moment in time that left an indelible mark on our culture: a night-long conversation in 1931 between three Oxford University academics (Henry Victor Dyson, C.S. Lewis, and J.R.R. Tolkien) that led to the writing of Lewis' "Chronicles of Narnia" and Tolkien's Middle Earth series. "Bruno" is an appreciation of the life and work of the late Jacob Bronowski (of "Ascent of Man" fame). All of the essays share the same insight and sharp, incisive, sometimes cutting prose. I found myself nodding along in some places, laughing out loud in others. Great book, and highly recommended.


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Review: 212 by Alafair Burke

212 (Ellie Hatcher #3)212 by Alafair Burke
My rating: 5 of 5 stars

Alafair Burke is an incredibly talented writer. One of her many strengths is the ability to use just the right detail (the unmatched desks in a detective squad room, the contrast between a DA's cheap Bic pen and a defense lawyer's expensive one) to make the reader feel that they're right there in the scene. The plotting is tight and just twisty enough to keep the reader guessing without going so over the top as to elicit eye rolling. And her characters are very well drawn. For instance, I love how Burke portrays Ellie Hatcher, the protagonist of 212. She's certainly less than perfect, but without so much baggage that it weighs down the story. This is police procedural done right. Highly recommended.


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Sunday, December 28, 2014

2015: The Year In Preview

The Pilot Newspaper: Opinion

Once again, we look into our slightly cracked crystal ball for our annual tradition of fearless predictions for the year to come. Without further ado, we bring you 2015 in preview:

JANUARY: Sony finally allows the wide release of the Seth Rogen/James Franco film “The Interview.” North Korea immediately issues a public statement: “We threatened the U.S. over THIS piece of crap? Man, do we feel stupid. This is more embarrassing than the time we invited Dennis Rodman to dinner because we thought he was LeBron James. Face it, as a government, we’re just not that bright.”
FEBRUARY: Following the lead of the right wing’s insistence on calling torture “enhanced interrogation,” the Mafia announces that it has hired a PR agency to rebrand “armed robbery” as “enhanced wealth acquisition.” Not to be outdone, the National Football League announces that its new behavior policy reframes “domestic abuse” as “enhanced spousal negotiation.”
MARCH: North Korea unleashes its long-dreaded retaliation for the Sony film “The Interview” in the form of a 90-minute feature film called “Obama Is a Big Doo-Doo Head.” At the film’s premiere in Pyongyang, RNC Chairman Reince Priebus and Sen. Ted Cruz appear as guests of the North Korean government, but strongly deny serving as technical advisers on the picture.
APRIL: A new hacking scandal erupts when a group calling itself “The Sons of the Big Easy” breaks into CBS’s computer network and releases thousands of embarrassing emails and digital copies of unreleased shows. The group claims that the attack is retribution for Scott Bakula’s awful attempt at a Louisiana accent in “NCIS: New Orleans.”
MAY: Russian President Vladimir Putin announces that he’s formed an “exploratory committee” to consider a run for the 2016 Republican presidential nomination. “Republicans say nice things about me,” Putin says. “Rudy Giuliani is talking about how I ‘make decision and execute quickly,’ and Sarah Palin likes the idea of me ‘wrestling bears.’ They want leadership? Putin give them a bellyful of it.”
JUNE: Republican lawmakers, who hold a majority in the House and Senate, announce a major policy initiative. “We’ve decided to change our practice of not doing anything and blaming it all on President Obama,” Senate Majority Leader Mitch McConnell tells “Meet the Press.” “After the summer break, we’re going to start doing nothing and blaming it all on Hillary Clinton.”
JULY: Christmas decorations and promotions appear in stores, as Christmas-themed commercials begin running on TV. Everyone complains, but they buy the stuff anyway.
AUGUST: First lady Michelle Obama rolls out a new campaign to promote the eating of junk food. “Candy, sugary sodas, Twinkies three times a day, and lots of Mickey D’s,” the First Lady says. “That’s the secret to a healthy, happy life.” Congressional Republicans and Fox News immediately go on an outraged crusade against the movement, which they call “yet another attempt by the Imperial Obama Presidency to control every aspect of our lives.” Fox begins promoting salads, low-fat foods, and drinking lots of water, while the Republican caucus gives up sugar, white bread and potatoes. Waistlines shrink across the nation, and obesity-related illnesses take a prodigious drop. “I don’t know why it took me so long to figure this out,” the first lady says.
SEPTEMBER: Former Florida Governor Jeb Bush formally announces his candidacy for the Republican Presidential nomination. Bush vows not to back down on his support for immigration reform and the federal Common Core standards, even though those issues are unpopular with conservatives. “I’m willing to lose the primary to win the general,” a defiant Bush says, repeating earlier statement he made to the online magazine Politico.
OCTOBER: The Jeb Bush campaign issues a retraction of his “willing to lose the primary to win the general” promise when someone explains to him how the primary system works.
NOVEMBER: Texas Sen. Ted Cruz attempts to stop President Obama from pardoning the White House turkey by going to the Senate floor for a marathon reading of the children’s book “If You Give a Mouse a Cookie.” Senate Majority Leader Mitch McConnell asks the office of senate legal counsel for an opinion on whether the Senate can involuntarily commit one of its own members.
DECEMBER: Facebook, Instagram, Twitter, and Snapchat all experience a massive decline in users after Santa announces he’s going to start using social media to help compile the “naughty” and “nice” lists. A young woman identified only as “@SexyAllie 999” explains to The New York Times why she deleted her Snapchat account: “Like, I don’t know if sending some random guy a picture of my, y’know, breasts is, like, something that will get me on, like, the naughty list? But, I mean, I’m not, y’know, taking any chances.”
As we like to say at this season (with a hat tip to poet Ogden Nash): Duck! Here comes another year!

Wednesday, December 24, 2014

Buy the Latest, Get the First

Polis Books is running a very nifty giveaway for the upcoming release of my latest Jack Keller Novel, DEVILS AND DUST, as well as Dave White's new one, NOT EVEN PAST. Here's how it works:

1) Purchase DEVILS AND DUST by J.D. Rhoades in hardcover or ebook, or NOT EVEN PAST by Dave White in paperback or ebook.
2) Email your confirmation to info@polisbooks.com. Include your preferred e-reading device.
3) Enjoy your FREE copy of THE DEVIL'S RIGHT HAND by J.D. Rhoades or WHEN ONE MAN DIES by Dave White!
Find out where to buy the books here:
DEVILS AND DUST
http://www.polisbooks.com/books/devils-and-dust/
NOT EVEN PAST
http://www.polisbooks.com/books/not-even-past/

Sunday, December 21, 2014

Christmas Music For People Who Hate Christmas Music

The Pilot Newspaper: Opinion

Christmas is a time that brings people together. At least that’s the theory. In reality, there’s one thing that can often lead to stress and disharmony at this time of year.
I’m talking, of course, about Christmas music.
Some people love it, some people hate it. Even in my own family, there’s a sharp divide. I enjoy Christmas music (only if played after Thanksgiving, of course), while my daughter regards it as only slightly less agonizing than bamboo shoots under the fingernails. (Her reaction when I mentioned I was including her in this column: “Great, now everyone in town will hate me, too.”)
Part of the problem I think some people have with Christmas music is the repetitiveness of the standard Yuletide catalog. Even though I’m a fan, I confess that after about the 50th different rendition of “Do You Hear What I Hear” or “Little Drummer Boy,” I start to grow weary. So the secret is to change it up. Listen to something a little more off the beaten track. Songs like:
 Bob Dylan, “Must Be Santa.” Yes, folks, Dylan did a Christmas album. It’s called “Christmas in the Heart,” and it’s one of the stranger things you’ll hear anywhere. The album’s single, with accompanying video, sounds like a polka version of this staple of elementary school Christmas programs, rendered in Dylan’s signature croak.
The video features a house full of revelers, with Dylan wandering in and out of the frame with his long hair in his face, looking like a crazed street person. The whole thing culminates in a fight that ends with someone crashing through a window. It has to be heard (and seen) to be believed.

 The Eagles’ rendition of the old classic “Please Come Home For Christmas” has become a standard on rock radio for the holiday season. But check out Charles Brown’s 1960 original. All due respect to Mr. Don Henley and the other Eagles, but Brown’s version is way more soulful and wistful than theirs could ever be, especially on the lines “My baby’s gone, I have no friends/to wish me greetings once again.” If you’re missing someone at Christmas, this is the song for you.

 Robert Earl Keen, “Merry Christmas From the Family.” This redneck holiday anthem has it all: alcohol (“Mom got drunk and Dad got drunk/at our Christmas party”); family tension (“Little Sister brought her new boyfriend/he was a Mexican”); followed by acceptance (“We didn’t know what to think about him/till he sang ‘Feliz Navidad’”).
It has the inevitable mishaps (“When they plugged their motorhome in/they blew our Christmas lights”), followed by resolution and family togetherness (“Cousin David knew just what went wrong/So we all waited out on our front lawn/He threw the breaker and the lights came on/And we sang ‘Silent Night.’”) Bring tears to your eyes, don’t it?

;
 The Waitresses, “Christmas Wrapping.” This minor hit by one of the forgotten bands of the ’80s tells the story of a single girl in the city, frazzled by a tough year and a series of missed connections with a “most interesting” guy. The narrator decides to spend her Christmas relaxing alone (“I just need to catch my breath/Christmas by myself this year”).
Well, you can see where this is heading: toward a coincidental last-minute meeting (“You mean you forgot cranberries too?”) with the aforementioned guy, and a “very happy ending.” It’s a charming little romantic comedy, told in a concise five minutes, with a killer horn break.

 New York “Beer Metal” band Guyz Nite wrote and performed a song that’s a tribute to the greatest Christmas movie ever made: “Die Hard.” The song of the same name tracks the original story from the beginning (“Remember when we first met John McLain?/Argyle picked him up from the plane”) and follows it up to the triumphant refrain, where the band joyfully carols the movie’s signature line: “Yippie-Ky-Yaaay, mother-[bad word]!” Actually, you might not want to play this one for Grandma.



Hallelujah, everybody say cheese, and Merry Christmas from the family, to all those who keep it.

Sunday, December 14, 2014

An Appreciation of Stephen Colbert, aka "Stephen Colbert"

The Pilot Newspaper: Opinion

You know, I’m really going to miss “Stephen Colbert.”
I realize that comedian and writer Stephen Colbert, creator and star of TV’s “The Colbert Report,” will still be with us, as David Letterman’s replacement on CBS’s “The Late Show.” But I fear that “Stephen Colbert,” the bloviating, self-important, clueless conservative pundit Colbert-the-comedian plays on his late night show, will be gone forever when the show ends its run this Thursday.
(In classic “Colbert” fashion, the supposed reason for the show’s ending is that its host has “won television” and to continue would just be “running up the score.”)
I confess that, when the “Colbert” character got his own time slot, a spinoff from John Stewart’s now-essential “The Daily Show,” I had my doubts. I thought basing an entire half hour, four times a week, on a single character, would be a one-joke premise that would quickly run out of steam. Eventually, I thought, Colbert would have to break character.
Boy, was I ever wrong. On the very first show, Colbert coined a word that would soon find its way into the actual dictionary: “truthiness.” Webster’s dictionary now defines truthiness as “the quality of preferring concepts or facts one wishes to be true, rather than concepts of facts known to be true.”
When he introduced the concept as part of his regular segment called “The Word,” Colbert promised, “Some of you may not trust your gut, yet. But, with my help, you will. The truthiness is, anyone can read the news to you. I promise to feel the news ‘at’ you.” It was absolutely perfect satire, summing up in a single made-up word the anti-intellectual, facts-are-what-my-gut-says-they-are attitude that permeates so much of American culture, politics and journalism. “Truthiness” caught on so fast that Merriam-Webster named it the 2006 “Word of the Year.”
Colbert followed up with some of the most brilliant on-screen pranks ever committed to video. Like his “438-part series, Better Know a District,” in which “Colbert” interviewed a congressman or congresswoman from some district, always referred to as “The Fightin’ [district number]!” He would then proceed, with a totally straight face, to tie the hapless lawmaker in such verbal knots that eventually Nancy Pelosi and Rahm Emanuel began warning members of the Democratic Caucus not to go on the show (a prohibition which Pelosi later lifted).
Then there was the time when Colbert discovered that the Hungarian government was holding an online poll to name a bridge over the Danube River. “Colbert” urged his followers (aka “The Colbert Nation”) to go online and vote to name the bridge after him.
After 17 million votes were cast for “Colbert” (7 million more than there are actual people in Hungary), Hungarian Ambassador András Simonyi appeared on “The Colbert Report” and announced that “Colbert” had won the vote, but unfortunately could not have the bridge named after him because he was (1) not fluent in Hungarian; and (2) not dead. He then gave “Colbert” a consolation prize of a 10,000 forint bill (about fifty bucks American) — which “Colbert” promptly tried to use as a bribe.
Colbert didn’t even break character when he was invited to be the featured entertainer at the White House Correspondents’ Dinner, which was attended by President George W. Bush and the first lady, as well as a variety of other VIPs. “Colbert,” in the guise of a glowing tribute, delivered one of the most scathing critiques ever delivered to a sitting president’s face.
“There are some polls out there,” he said, “saying that this man has a 32 percent approval rating. But guys like us, we don’t pay attention to the polls. We know that polls are just a collection of statistics that reflect what people are thinking in ‘reality.’ And reality has a well-known liberal bias.” He went on to say of Bush that: “You know where he stands. He believes the same thing Wednesday that he believed on Monday, no matter what happened Tuesday.”
He didn’t spare the members of the press corps for their lazy acceptance of everything that came out of the Bush White House: “Over the last five years you people were so good, over tax cuts, WMD intelligence, and the effect of global warming. We Americans didn’t want to know, and you had the courtesy not to try to find out.”
It was brave, and brilliant, and boy, did it make some people angry, even as it made many more laugh. That, my friends, is the purpose of great satire.
Can Colbert the comedian deliver the same bite and sting to a mainstream late night talk show on stodgy old CBS? I have my doubts. But then again, I’ve learned not to bet against him. RIP “Stephen Colbert.” Long live Stephen Colbert, America’s greatest living satirist.